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THE GUNMAN, the new action thriller from Pierre Morel, the director of Taken, stars Sean Penn, Javier Bardem, Idris Elba, Ray Winstone and Mark Rylance. (C) Open Road
About The Gunman
Artist : Javier Bardem, Idris Elba, Sean PennAs : Felix, DuPont, Jim Terrier
Title : Full Movie The Gunman Official Movie 2016
Release date : 2015-03-20
Movie Code : 2515034
Duration : 01:58
Category : Action
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Whatever else we might think of Sean Penn's bid for an active middle age via The Gunman, we can't doubt his enthusiasm.
Part of the contract that movies of this sort forge with moviegoers is that the reasons for all the running and gunning won't get in the way of the action. "The Gunman" doesn't play by those rules.
The kind of film that can't be bothered to do any more with its Spanish setting than have a showdown at a bullfight.
Too often feels like just another slice of brainless Eurotrash, packed with saw-it-coming plot twists, half-hearted car chases and an angsty hero with zero charisma.
Like a queasy blend of Still Alice and The Bourne Identity.
"The Gunman" may start as a genre exercise of promising purpose, but it winds up being just a lot of bull.
The actors are good and the action is thrilling. And if the film isn't quite as seriously political as I'm guessing Penn told himself it was, it's definitely an offbeat change of pace for us.
Yes, there are plot holes aplenty, but the action is tautly staged by Morel and that makes "The Gunman" a satisfactory time-passer.
I object to The Gunman because it's unconvincing and incoherent.
I've pretty much always enjoyed watching Penn in everything, not despite of his hambone tendency to milk every moment of every shot but because of it. This stupid movie is no exception .
Ultimately this feels like a vanity project designed to do for Penn's bankability, Africa, Spain and mercenaries what the Taken franchise did for Liam Neeson, Paris and Albanian gangsters.
I doubt The Gunman will do much to advance Penn's foray into action-hero bankability, and that's probably a good thing. He's too fine an actor to be mired in nonstop shootouts while flashing his pecs and looking scowly.
Penn is dour and not the least bit heroic in this movie. He survives the action sequences but neither they nor his participation in them gets the blood pumping.
If the film's intent is to condition the audience into a distaste for violence through boredom, it succeeds.
OK, we've seen the biceps and the abs. Very nice. Now, back to the brain.
A dum-dum action picture that briefly pretends to be about world aid before returning to muscular, middle-aged men beating the snot out of each other.
There's a grubby, redemptive quality that makes this tough-minded flick feel like the son of "Serpico" and "Salvador."
A lightweight thriller posing as a heavy political drama, or vice-versa. Not thoughtful and no fun.
Penn's need to be seen as a guy of integrity is left naked in The Gunman, but at least he's having some fun with the action-movie trappings, and with taking his shirt off.
It succeeds, partly because the moral climate it presents seems so confused, but mainly because of Penn's particular aura of irascible integrity.
Penn remains a furiously committed method actor, even in a paycheck role such as this one. But he's not enough to prevent the film from becoming the same-old.
It's a tasty cast, but the script does not do its job in crucial areas, letting the audience get way, way out ahead of the reveals.
A dull, generic retread, made far worse by Penn's self-seriousness as an actor, by the banal political pieties he's grafted on as producer and co-writer, and by the presence of a pitifully retrograde female lead role.
It devolves into a mess of worn plot lines. If Morel wanted to give Penn's career new life as a world-weary action hero, he missed his target.
The Gunman degenerates into dreary setups for guns and gore. Penn merits more. So do we.
The Gunman is too disorganized and sloppy to make sense as political commentary or to work on the most basic level as a globe-trotting chase thriller.
Watching Penn pump iron and denounce capitalism for two hours would be roughly as illuminating as this monotonous Euro-thriller.
I can imagine Sean Penn agreeing to star in this Taken knockoff on the condition that it educate moviegoers about humanitarian crises in Africa; it does, but the film feels misshapen as a result.
What begins and ends as an exploration of Western exploitation of the Congo mostly follows the standard track of the retired hit-man who realizes that he hasn't quite yet eluded the sins of the past.
Unfortunately, nobody ever won an Oscar for washboard abs. And nobody is going to win five seconds of admiration for 115 minutes of tedium in The Gunman.
"The Gunman" is a predictable slog through action-movie tropes, and Penn's intensity isn't a good fit.
The only redeeming feature about The Gunman is its exotic locations.
Penn and his fellow actors are fine at conversation, but there are more dialogue-driven subplots here than a movie full of bullets and land mines requires.
Rarely, though, have two Academy Award-winning actors been so stunningly off the mark in the same movie.
Sadly, Penn's veiny, sweat-glazed biceps are the most objectively impressive feature of this rote, humorless thriller, a distinctly unconvincing attempt to refashion the star . as a middle-aged action hero in the Liam Neeson mold.
Mr. Penn, aiming for weary, battered intensity, settles into a zone somewhere between fatigue and indigestion.
A well-executed thriller that leaves us stirred but not shaken.
Obviousness prevails.
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